I’ve said it before (as in my last post), and I’ll say it again: cardigans are useful pieces in any winter wardrobe―regardless of your age or style. It’s just a matter of finding the right design and fabric for your particular lifestyle. For me, anything black immediately appeals, as does a lightweight piece that I can layer over other tops. I don’t know about what it’s like where you live through winter, but here in Toronto, we need at least three different levels of warmth in our outerwear and a series of layers to raise or lower the temperature as necessary. Case in point: the wind chill here yesterday was -5˚ C (yes, minus 5 Celsius―23 Fahrenheit for some of you), and tomorrow the temperature is predicted to be +15˚ C (59˚F)―thus my love for layers that can go on and come off easily. But how to find the right style?
As I mentioned, I combed the commercial pattern sites to search for something that appealed to me. If you read this blog regularly, you already know that I’m not a fan of garments that have no shape. I won’t touch a one-size-fits-all style with a ten-foot pole because that simply means one-size-fits-no-one-especially-me. And cardigan patterns with interesting style details are few and far between.
I finally settled on the Jalie “Charlotte” style, not because I love Jalie patterns (I like a few of them, but I hate their packaging), but because it seemed to offer a bit of style in the short version. It has sleeve bands, a hem band and buttons. And you know that well-selected buttons can make all the style difference. (*bats eyes*)
Before I introduce you to my version of the “Charlotte,” let me get this off my chest: I hate pdf patterns (although I’ll use them if I love the style), so I ordered their print version. I knew up front that I’d have issues with it, but I was willing to deal with them. My problems are these: the whole thing―plastic envelope and all―is too damn big, and there are 26 sizes on one printed sheet. Anyway, I found my size and cut it out. I don’t see how anyone can trace off a single size, but since I don’t plan on making it in any other size, this isn’t a big problem for me.
Once I have it cut out, though, I’m forced to trace it off onto pattern paper since the paper it’s printed on is awkward and thick―too difficult to pin accurately. A bit of extra work, but unlike many sewists, I enjoy the prep work (except pdf stuff). There are a couple of pitfalls, though.
I learned the hard way about the oddities of seam allowances in indie patterns. I had to search for the information (this is the reason why it’s always wise to read everything before you cut anything😊), but I finally found it. This pattern has only one-quarter-inch seam allowances!
Dear god! What are they thinking? We’re not sewing cheap garments in an overseas sweatshop where we have to save every morsel of fabric! What’s this deal, anyway? As far as I’m concerned, one of the reasons for sewing one’s own clothing is to get a great fit. If you only have a quarter of an inch on a seam allowance, how can you possibly have enough to let out if necessary? Then there’s the seam finishing issue. I need more than a quarter of an inch to get a great serged finish, thank you very much. So, I added 3/8 of an inch to the seam allowance already included.
And, there’s another oddity in this pattern. The sleeve piece is designed to be cut on the fold. What! This means that the sleeve is designed so that the front and back are mirror images of each other.
This doesn’t say “good fit” to me. And anyway, I think a sleeve should not be cut on a fold―but that’s probably just me―so I made myself a complete sleeve pattern before I started.
I’m tired already.
Oh, and before I could begin to cut and sew, I noted that the instructions are printed on the large sheets of paper that I am cutting. The good news about Jalie, though, is that if you go back to their website and look for your pattern, you can download the instructions, which, by the way, were a bit peculiar. Anyway, the cutting and sewing finally began.
I used an inexpensive piece of textured knit that’s so soft to the touch and has a look that’s a bit more upscale than the price tag on the fabric would have indicated. But, as I mentioned in my last post, this one was supposed to be a practice piece for potentially using the piece of Italian wool jersey that I bought in Montreal. The question is: will I use this pattern for my ultimate light cardigan this season? We shall see.
As I put this all together, I found that the instructions about finishing the band were less than optimal. I finally did it my way, which generally involved a bit of hand sewing.
Then I went to my trusty button collection and found a set that seemed to add a tiny bit of sparkle to the front―but just a tiny bit.
In the end, I like how this turned out, and it’s a piece that had endless possibilities to wear lounging or even in an office setting. But will I use it to cut into that expensive fabric? I’m still on the fence. What do you think? Is it a nice enough pattern to use for an expensive piece of Italian wool jersey? Hmm…I’m not convinced.
4 thoughts on “My winter lightweight, cozy cardigan: Sewing and styling one that works for you”
You look so chic in everything you wear. The fabric is lovely, so tweed-like, and it looks so lush made into the cardigan. What a beautiful sweater. May I ask where you got the fabric?
Wow, it looks lovely and you’ve achieved a great fit!
I love your cardigan. I am really surprised the sleeve is cut on the fold. That is so wrong. I have a lot of Jalie patterns but have only made a few. I know you said you don’t like PDF but I am liking them better than at first. Have you seen this one, Tuva. It looks pretty good.
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Thank you. Funny you should mention the Tuva cardigan. I just discovered Sinclair patterns on Instagram and bought the Tuva pattern a few weeks ago! I’m going to try to get to it before February! 🙂