I don’t know about you, but I’m not going to lament the end of 2021. What a year! In addition to the obvious (can you say COVID?), a few more oddities occurred in my own life, the details of which I will not bore you with but suffice it to say that it’s been interesting―and challenging. In the end, though, don’t you think a non-challenging life would be boring? My husband likes to remind me of what I told him on our wedding day thirty-four years ago. I said, “It may not always be easy, but it will never be boring.” He reminded me just today that it’s been pretty easy to tell you the truth, but it truly has never been boring! Which is the perfect segue to talk about New Year’s eve, n’est ce pas? Boring this year? Depends on how you define boring!
How will you spend the last evening of this peculiar year? Here we are in the midst of the biggest wave of a pandemic we all thought would be in our rear-view mirrors by now. But here we are. In recent years, our usual New Year’s Eve has consisted of a wonderful dinner out at a posh restaurant, home by ten pm, and watching the New Year roll in on television. Last year, we were in serious lockdown―all the restaurants were closed―so, had dinner delivered. That was great. This year, though, I’m in full-on hygge mode as I’ve mentioned ad nauseum, and we plan to entertain only ourselves chez nous.
And that’s where a new hygge-inspired outfit comes in. What to wear to a party for two on your most comfortable sofa while sipping something bubbly and watching the world go by outside? My fall-winter wardrobe sewing continues.
As I planned my wardrobe this season, I pulled a few patterns that offered comfort. Have you ever noticed that you tend to gravitate toward similar designs? I often do this when buying ready-to-wear, only to end up with several pieces of clothing that are the same colour and almost (but not quite) the same style. This approach is how I ended up with these two patterns.
Notice anything similar? Hmm? Of course, I was drawn to the collar on both Vogue 1635 and Butterick 6857. As you know, I already created the Vogue look…
…and planned on View B or C of the Butterick. However, by a fluke of retail error on the part of Fabricville online, I ended up with a piece of fabric that I couldn’t use for what I intended it to be. I plan on making Vogue 1825 (view A) at some point, so I ordered two different colours of the same fabric.
Unfortunately, their online store mislabeled the black fabric, and I ended up with a red-mix Venice knit (which I ordered) and a black jersey that was supposed to be Venice knit (which was a mistake on their part). The two fabrics do not fit together. There is good news and bad news.
I’m now stuck with some thin black jersey that I didn’t return because they would charge me for the return, and it wasn’t that expensive. The good news is that the red-mix Venice knit has the perfect drape and hand for View A of the Butterick pattern. So, I won’t be making the same design as I did earlier in the season. So, I set off to make this one. (Of course, the other good news/bad news is that I need to buy more fabric for the two-tone top *sigh*).
My first decision was to decide which side to use as the right side. Any jersey fabric rolls to the front when stretched, but this one was a bit confusing. It did have a definite roll in one direction then rolled to the opposite side when held differently. In the end, it’s up to each of us to decide what side of the fabric we want to use as the inside versus the outside, isn’t it? That’s why we create our own wardrobes―control. Anyway, I liked the softest side against my skin (there’s that hygge thing again!), so what I’d call the “purl” side when it comes to knitting would be the outside. Decision made.
The pattern has an interesting button and top-stitching detail at the neckline and shoulders. I had to find some buttons that might work, and since I decided against the black thread (which would have disappeared) and opted to use scarlet thread that showed brighter than the fabric colour itself, I could go with more scarlet buttons. Of course, then there would be buttonholes in a knit―buttonholes that would show on the front.
Careful testing (and black interfacing―just imagine how awful white interfacing would look if it peeked out when you cut open the buttonhole) resulted in a good finish that worked for me.
One of the changes to the order of operations in this pattern that I’d suggest is that you do the buttonholes before putting the front and back together at the shoulders. It’s so much easier to guide the fabric into the buttonhole foot that way! Flat is always better, in my view.
I am quite happy with how this one worked out. It’s uber comfortable and will brighten up our New Year’s Eve (I usually wear black *rolls eyes*).
Well, Happy New Year to everyone! I haven’t done a recap on my 2021 wardrobe work, but I just might do that this coming week. I might share it with you when I do. I’ll see!
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