[*Little Black Jacket sometimes referred to as the LFJ or Little French Jacket]
And so the real fun begins. Here’s where I get to play fashion designer. I remember years ago when I used to make most of my own clothes, I never began a project without having first chosen the fabric for it. I found a pattern in a big pattern book at a fabric store, then went immediately to the bolts of fabric to find and buy my fabric. Nowadays, I actually buy all my patterns online, and use online and in-store sources for fabrics. In fact, in the case of this – my little black (French) jacket project – I put off the fun of finding the right fabric until I had gotten to the point of actually being ready to cut it out. I am now ready, so I need fabric.
I am lucky to live in a city where the fashion design industry is vibrant. Toronto might not be Paris or Milan, but it is the epitome of internationally-recognized Canadian design, and we have a ton of great designers, many of whom now live and work abroad as it turns out. But they started here. It also means that there are fashion design programs of study and putting these two things together means that we have an actual fashion design district where the fabric stores line the street – Queen Street West to be specific.
After my previous experiences with those large, light-filled, airy fabric-store chains, the real fashion fabric stores came as a bit of a surprise – and a surprise that I am loving. Each of them is jam-packed from floor to ceiling with bolt after bolt of fabrics, not all of whose provenance or fiber content are immediately evident. However, these stores are staffed by exceedingly knowledgeable staff members who will be able to answer any of my questions and they do.
I amble along Queen Street browsing several stores. Because of my research about the Chanel jacket, I’m looking for a specific type of fabric – a bouclé – because many if not most of the real Chanel jackets are constructed of bouclé. So, what exactly is it I’m looking for?
First, it’s important to realize that the word bouclé is the French word for “curl.” So, the word bouclé refers to both a kind of fabric and a kind of yarn, both of which are characterized by loops. Bouclé fabric has a kind of loopy appearance if you look at it closely. It is also fairly loosely woven – which was the reason that I used one-inch seam allowances when I created the patter as you might recall. This loose weave means that it frays. But what about fiber content?
Bouclé can be made from a variety of fiber types – wool, cotton, silk – and these natural fibers are often combined with one another and even with synthetics to achieve various properties. Since they were introduced in 1954, the jackets produced by The House of Chanel have been created in a variety of fibers and, as I mentioned in my initial research post, Coco herself found her original fabric at Linton Tweeds in northern England.
I did browse through their site when I first began to search for my fabric and I found wonderful bouclé’s and tweeds. However, none of them really were exactly what I am looking for. I am looking for something that is in the black, white and/or grey family. I think that a neutral jacket will suit my lifestyle better than any other colour. But what I did learn from their site is a lot about the fiber content of their fabrics.
I found this one that I liked, though. Notice that the fabric content is 65% viscose and 35% cotton (I also noticed the price which was £34.00 which is about $70.00 CDN a yard – not going to happen the first time I make this jacket! But isn’t the fabric beautiful?
I also liked this one, and I think you can actually see the loops that I’m talking about. Beautiful. Same fabric content. I also found others with various combinations of polyester, viscose, wool, nylon, cotton and acrylic. So, I realized that I was really looking for a combination or fiber types and I was looking specifically for some kind of a wool blend when I perused the shops on Queen Street.
When I walked into “Affordable Fabrics” and found their large stash of bouclé bolts, I was fairly sure I’d found my fabric store. Sure enough, after taking down several bolts (with help from the young man working in the store that day), opening out the fabric and taking them to the window for better light, I found the one that I was looking for. Then all I needed was lining.
The instructor on the Craftsy video course that I’m following is using silk dupioni which of course is a bit sturdier than some silks. My research told me that real Chanel jackets are generally lined with silk charmeuse. I first looked at their stash of silk dupioni and didn’t see a colour that I felt would do what I wanted for the design (there’s the fashion designer in me talking!). when I asked the young man about their silk charmeuse, he said, “I have just the thing for this fabric!”
He pulled out a bolt of fabulous printed black and white silk charmeuse and I fell in love. When I asked him the price, I was ready to cringe, but it wasn’t so bad. I now had the makings of a beautiful jacket. Of course I was going to have to learn to match a pattern, but that would come later. Oh, and I’ll need braid trim and a chain for the hem, but I think I’ll work with the fabric a bit before I decide on the finishing.
Next up: cutting it out! Yikes!
A great blog post on finding fabric on Queen Street in Toronto: http://www.loulou.to/streets-of-toronto/shopping-for-fabric-on-queen-street-west/
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