Posted in sewing, sewing patterns, Style, Stylish Books, Tailoring

The Great Tailored Blazer Project Begins: Why create a blazer?

As far as I’m concerned, there is no single piece of clothing in the world that immediately transforms not only how you look, but how you feel about yourself than a tailored jacket – a blazer to be precise.

There was a time in my life when I had a closet full of them – and matching skirts or trousers – and I wore them every day. I’m sure that there are many women out there who can identify with this.

And even if you didn’t wear a suit jacket to work, I’m sure you recognized at one time or another that putting a blazer on over even a T-shirt changes everything.

I think I learned my strongest lesson ever about a blazer-style jacket many years ago when I was working in communications for a large organ transplant program. It was a summer day, and I was probably wearing a dress of some sort or another (I used to wear dresses for other things than cocktails). I got a phone call late in the morning from the CBC (the Canadian Broadcasting Corporation for anyone who doesn’t happen to be a Canadian). They would be arriving in a couple of hours to interview me for the evening news. The truth is that the CBC was notorious at the time for always wanting you to come to their studios if they wanted to interview you and this isn’t always convenient. There even used to be a saying among communications professionals that went this way: “The CBC was unlikely to ever come out for anything short of the second coming.” Well, this wasn’t the second coming, but it was an occasion when I knew I’d need a jacket. I ran home at lunchtime (luckily, I lived a five-minute walk from my office) and got myself a blazer. Never again was I without a jacket in my office to throw over whatever I was wearing for purposes of a television interview. But things have changed.

I have noticed that the “uniform” these days for women who are on-camera personalities, especially in the US, is what I would have labelled a cocktail dress in years gone by. To prove a point – that they don’t have to look like men to compete with them, I guess – women have forgotten the power of the jacket. These days, I can still expect to see Lisa LaFlamme on CTV news in Canada in the evening wearing some version of a suit jacket and she looks so professional.

So, I love a blazer. I think you get that. And since I have never done traditional tailoring, and it’s been over 35 years since I even created a jacket with a lapel collar for myself, I thought I’d love to take on a new challenge. Enter the new project. I am going to learn traditional and modern tailoring techniques and create for myself a perfectly-fitted blazer-style jacket. As usual, though, before I begin, I need to do a bit of research. For example, where did the name “blazer” come from and when did women start wearing tailored jackets?

According to Michael Andrews Bespoke, in a fascinating piece about the history of women in suits, “The first notable appearance of a woman making a man’s suit her own was in 1870 when actress Sarah Bernhardt began wearing her “boy’s clothes” in public.”[1] As you might expect, at that time, a woman wearing what was traditionally considered to be men’s clothing was nothing short of scandalous.

Sarah Bernhardt in a suit

In the late nineteenth century, women began to wear what could be considered early suit jackets. If you haven’t yet read historian Linda Przybyszewski’s fascinating book The Lost Art of Dress: The Women Who Once Made America Stylish, and you are interested in style, stop reading immediately and go order a copy — then come back! In her book she provides some very interesting views on how style developed including references to early suit jackets on women.

Coco Chanel first began creating two-piece suits for women in the 1920s and is credited with giving the suit a boost. Chanel’s suits gave the first-wave feminists of the early twentieth century their own look, but the hallmark of the Chanel suit was its softness, its minimal tailoring. In 1966, Yves St. Laurent offered women a look that, as far as I’m concerned, cannot be beaten if we want to look elegant, sophisticated and powerful. Enter “Le Smoking.”

Over the years, women have adopted many styles of suit jackets. As I look back on the last American election and take a close look at Hilary Clinton’s “pantsuits” I wonder what went wrong with that particular image. I think it might have been three things: colour, fit and proportion. She just looked unkempt and odd in my view. Did this make a difference to her political aspirations? Or should it have? Probably not, but I’m not a political writer – this is about style, design and creation!

It seems that suit jackets have been in women’s style arsenal for a very long time. So, what’s the difference between a suit jacket and a blazer?

In an interesting piece by The Gentlemanual, the difference is this: “Dressier than sports jackets but not as formal as a suit, the blazer serves as a nice middle ground piece that elevates outfits nicely without going overboard.”[2] At least this is how they describe a blazer for men, and I think we can adopt this understanding for women. As I have always thought, a blazer elevates any outfit.

The term “blazer” itself has an interesting history. According to Lanieri Italia, the blazer originated as follows:

The term was first used around 1825 to define the red blazers used by the members of the Lady Margaret Boat Club, the rowing Club at St. John’s College in Cambridge. Their jackets were called blazer (from the word “blaze”) because of the bright red fabric used to tailor them, but the term was thereafter used for jackets in any colour.[3]

And, of course, a blazer is fundamentally a stand-alone piece whereas a suit jacket comes with a matching pair of trousers, a skirt or even a dress. In general, as well, a blazer is either single-breasted with two pockets or double-breasted with six buttons (and they have patch pockets according to tradition).

So, I plan to create a perfectly-fitting blazer using some traditional (and perhaps a few modern) tailoring techniques. My blazer will be two-buttoned, single-breasted because that’s the most flattering style for my figure. It will also have welt pockets rather than patch pockets for three reasons: First, patch pockets are what I generally put on Chanel-inspired, soft jackets. The second reason is that I haven’t made a welt pocket in decades so I want to re-learn this skill. Third, because the commercial pattern I’ve chosen has welt pockets. Oh, yes, the pattern in question:

This is Claire Schaeffer’s couture blazer pattern. What this means is that she has personally written for Vogue patterns the instructions – all 12 pages of them. Yes, 12 pages!

I’ve done some couture sewing in the past, so a lot of the approach is familiar (and I used Claire Schaeffer’s Little French jacket pattern Vogue 8804 for my last LFJ), but OMG, just wait!

I’ll tell you more about it when I get to cutting out the muslin. But, up next, the all-important and oh-so-fun and creative part: finding the perfect fabric and lining. Stay tuned!


[1] A brief history of women’s suits. https://www.michaelandrews.com/journal/history-womens-suits

[2] https://www.ties.com/blog/whats-the-difference-sports-jacket-vs-blazer-vs-suit-jacket

[3] https://www.lanieri.com/blog/en/whats-the-difference-between-a-jacket-and-a-blazer/

Posted in fabrics, sewing, Style

The Joy of Sleeves: Especially when you find the best length for you

Could there be any more distinguishing feature of just about any kind of top than its sleeves? Think about it. When you go shopping for ready-to-wear for the upper half of your body, unless you’re just browsing aimlessly, you probably have a general idea of one aspect of the top you’re seeking – the sleeves, in particular, their length.

Sleeve Length

Let’s face it: you can cut your sleeve at any place along the full length of your arm, but you might not like how it looks – or works. In the worlds of style and fashion, there are some specific lengths that have been discovered to be most flattering.

From sizechart.com

If you’re shopping for a winter coat, clearly, you’d be a fool not to look for long sleeves (notwithstanding fashion designers’ attempts to get us to think that three-quarter sleeves with gloves would be a reasonable substitute). If you’re looking for a cool, summer top, you probably aren’t looking for long sleeves, however, you might not be sure whether you want cap sleeves, short sleeves (and what length) or elbow-length. And it’s exactly the same when we create our own clothes. I think sleeve length, in particular, is one of the most crucial parts of a flattering and useful piece of clothing. And not every length works best for everyone, although a commercial pattern with a short sleeve view will be very specific. Be brave! Be adventurous! Throw caution to the wind! Cut the sleeves whatever length you want! Back up a bit with me: I’m interested in sleeves.

Sleeve functionality

Let’s start small. Sleeves are arm coverings. Let’s face it: sleeves are largely functional. Unless you live close to the equator, you likely feel the need for an arm covering from time to time. Of course, you could throw a wrap around you but think about it. Isn’t a sleeve a lot more functional? Consider getting into and out of your car with your keys, wallet, umbrella, child who has to be wrestled out of one of those booster seat contraptions – oh, and let’s not forget that you have to put on your mask in 2020. Oops, you forgot? Get back in the car, put everything down and start again. Then consider having to keep a wrap around you at the same time.

A vintage sleeve pattern – you could add a different style and/or length to any bodice.

Well, for my money, I’d prefer to have sleeves attached to my bodice. So, apart from strapless and one-shoulder evening gowns (oh, yes, I love strapless and one-shoulder evening gowns, or at least I used to) and summer tank tops (which I’m wearing less and less as I get older), the sleeve consideration is a big one when I’m shopping ready-to-wear or sewing for myself. And since I do sew, I can decide what sleeve would be best.

A blast from the past – the one-shoulder dress! Who needs sleeves when you’re in the Caribbean on a cruise?

Over the past few years, we’ve been subjected to all kinds of impractical sleeves. That’s the kindest way I can put it. If I’m being honest, I really think that hideous sleeves are being hoisted on us by designers every time we turn around.

Need I say more about the hideous-sleeve trend?

Don’t they know that a well-proportioned, simple sleeve will serve us best in the long-term? *sigh* Well, I just make my tops these days. So, when I got into my most recent one (and the last summer one for this year, I hope), the sleeves became an instant quandary.

Finding a Flattering Length

Not every sleeve length is as flattering as the next one – and not every sleeve length works for every woman. It’s a matter of proportion. And there are so many choices.

This reared its head recently – you may remember this recent shirt project. The pattern, Butterick 6324 offers a sleeve length that’s somewhere between an elbow length and a short sleeve. I opted to cut it according to the pattern and roll twice. Much better on me.

I’ve also found that I like a three-quarter sleeve on me when it works for functionality. There’s something very flattering about this length on most women. In fact, whenever I’m wearing a long-sleeved, collared shirt, I like the look of a turned-back sleeve even better than the sleeve left long. I even like this look on a man. It’s just my personal aesthetic.

I had a length of rayon knit that is very soft and has a lovely drape. I’d been looking forward to working with it since I’ve recently been making shirts which is great but different. When I started this most recent one, I had already made the pattern with long sleeves, so I knew that I liked it in general.

This time, I wanted short sleeves. And I know from having created my own bodice and sleeve sloper, that I have a few lengths that work for me. The short-sleeve length included in most commercial patterns is not it.

The good news is that my most flattering length is usually shorter than the one provided, so, I can always cut it as designed, then I can shorten to the perfect length. I’ve also taken to shortening RTW short sleeves lately.

The difference between lengths is often subtle, but when you find the right length, I think it can make all the difference. when you sew your own tops, you can experiment. I do every time I make something.

Sewing Sleeves In

And of course, sleeves have to be set in well. My personal sleeve-setting journey started back in sewing classes in junior high school where I learned to properly set-in a sleeve. As a result, that’s the method I’ve adhered to for all my sewing life – until recently.

Although I did sew with “knits” when I was very young, those knits were not like the knits of today. They were, in fact, more like stable knits of today. Remember crimplene? (If not, I wrote about it back a while ago). I mention this because you can use the traditional set-in sleeve method with these kinds of fabrics. Anyone who sews with today’s jerseys etc. with a stretch factor of something like 35% knows that this is next to impossible. So, I’ve had to learn to sew in sleeves (they are not really “set-in” in the true sense) before sewing up the side seams. And I’ve had to force myself to use this method when sewing shirts. Of course, sleeves in shirts are quite different from sleeves in jackets. A sleeve head in a jacket is so important. In a shirt, not so much.

Anyway, here we are in August and I’m just finishing up summer sewing. I think it might be time to move onto fall planning – I just hope the fall isn’t as unpredictable as the spring and summer of 2020 have been! (And I don’t mean the weather!)

Posted in sewing, Stylish Books

The Year I Made 12 Dresses: The almost-but-not-quite-true story

I’ve been sewing since I was thirteen-years-old. This you might have suspected. But you probably didn’t know that I’ve also been writing since about the same time. That’s a lot of years of sewing and writing! I started my writing career as a nonfiction, health and medical writer. Eventually, I wrote a dozen books, lots of articles and recently have dabbled in fiction – women’s and historical fiction. But today is a first.

Today marks the first time in my life that my sewing and design passion has meshed with my regular life as a writer. For the past year, I’ve been working away at a story that started off as something quite different than what it ended up becoming.

I usually write satirical, humorous lit-for-intelligent-chicks and historical fiction these days. And this book started out to be one of the former. When I started writing, though, Charlie (my main character – Charlotte to those who don’t know her so well) and her sewing machine took over, and I found myself on a journey that took her (and me) to places I hadn’t expected.

Anyway, it’s dedicated to all the amazing women I’ve met both in real life and online. There are so few novels that really are about sewing, I thought I’d share it with you in the hope that some of you might enjoy reading it as much as I enjoyed writing it.

THE YEAR I MADE 12 DRESSES

A struggling writer, an enigmatic shop clerk, an old sewing machine and an inspirational journey of discovery – where every dress is more than it appears to be.

After her mother’s unexpected death, struggling writer Charlotte (Charlie) Hudson moves into her family house after her older, mostly absent sister Evelyn instructs her to empty the family home of objects and memories to ready it for sale.

When Charlie stumbles on a dusty old sewing machine hidden away among the clutter of detritus in the basement, she has no idea of the journey it will take her on, or of the secrets it might reveal about her mother, her family and herself. If only she will let it.

With the help of an enigmatic fabric-guru named Al, Charlie discovers how little she really knows about anyone – especially herself. Join Charlie and Al on their inspirational journey of discovery where every dress is more than it appears to be.   


To learn more, I invite you to visit the 12 Dresses page at Moonlight Press and watch the trailer video…

12 Dresses is available from all your favourite online book retailers in both paperback and as an eBook for a variety of eReaders.


Posted in fabrics, Pattern-drafting, sewing, Style

Love the design, hate the quality: Copying ready-to-wear (Part 2)

I think it’s safe to say that the part I like best about recreating ready-to-wear is the pattern drafting step. When I was in high school, I loved geometry, and what’s more, I was good at it. I also loved analytical trigonometry and got a mark of over 90% in grade twelve. Just as a reminder, trigonometry is “… a branch of mathematics that studies relationships between the sides and angles of triangles…” Flat pattern drafting requires all that on top of the creative aspect. I suppose all those angles and calculations are right up my alley!

In any case, as I move into part 2 of my recreation of a low-quality-but-interesting-design shirt, I am moving from design copying to pattern drafting to fabric cutting and beyond.

When we last talked (okay, I did most of the talking), I had slapped a few grainlines on the pattern pieces, trued up the seams and began to think about the fabric.

The original (cheap) shirt was made from polyester, as is the usual fabrication for Light-in-the-Box online offerings. Although it looks relatively good at the outset, these knit polyester garments quickly develop those little pills that we all hate so much. In truth, taking out that battery-operated lint remover that our son likes to call a “sweater muncher” and applying yourself to the removal of said pills, can be rather meditative. And who doesn’t like the finished product? The problem is that with these cheap fabrics, the pills just keep coming back.

Then add on the problem of breathability, or in the case of the top in question, lack of breathability. What you are left with is an interesting, summer-worthy top that I can’t even consider wearing here in Toronto. It’s been over 27 Celsius (80 for the Fahrenheit people among us) for weeks and is only getting hotter, where it will stay until late September or thereabouts. The goal, then, is to reproduce the design in a better fabric.

Forced into online fabric shopping by the virus-that-shall-not-be-named, earlier in the season, I ordered a length of a linen-blend jersey in a cosmetically-enhancing pale peachy-pink.

I had this project in mind for it, and when it arrived, I was a bit hesitant because of how thin it is compared to its original version, although I realized that if I tweaked the sizing downward, it just might work. This, of course, is my main objection f online fabric shopping. I do it, but I always recognize its limitations. I would always prefer to take a walk downtown to the fabric district than shop online, but I’m happy I have the option of online!

As a result of the fabric’s weight and stretch factor, I decided that it was best to cut it out in a single layer.

I know so many people who sew avoid this like the plague, but it is truly the only way to come close to staying on grain with these kinds of fabrics. And I’m sure we’ve all experienced a cheap T-shirt or two that went all wonky after a wash or two. This is usually because it wasn’t cut on the straight of grain.

After cutting and marking, I had the good sense to stabilize the entire dropped shoulder seam with knit-n-stable tape. I also stabilized the portion of the side seams where the ties would be enclosed.

I whipped on my favourite sewing machine piece – my trusty walking foot – and got started. The original had serge—and-turned hems. I decided to take it up a notch and double turn all the hems. I didn’t go all the way to double-fabric-turned ties, though. In a future project, however, I might go the extra mile.

Well, she’s finished now. It had its first outing yesterday as we wound our way through downtown and the University of Toronto campus on our daily 5-7 km walk.

I think it worked out well – at least well enough that I created a final pattern to keep among my collection of GG originals!

This is the second such piece I’ve recreated, and I’ll probably do it again. How about you? Any design copying in your future? Stay safe!

Posted in Pattern-drafting, sewing, Style

Love the design, hate the quality: Copying ready-to-wear (Part 1)

One of the most attractive aspects of making some of my own clothes has always been the opportunity to copy fabulous couture pieces at a fraction of the cost. This was my thought when I embarked on the creation of my first Little French Jacket (LFJ). I loved being able to select some bouclé fabric and silk charmeuse lining, then create a reasonable facsimile of a Chanel-style jacket that cost so much less than an investment in an original.

I loved this process so much that I did it again.

And even Chanel herself was in favour of people copying her pieces.

That being said, there’s another reason for copying ready-to-wear: creating a similar design that I love in a higher-quality fabric. And finding the right technique for creating the pattern is the first challenge. Let me back up for a minute, thought to let you on a dirty little secret.

I actually enjoy browsing on the Light in the Box (LITB) web site and even making a purchase from time to time. Not familiar with LITB? Oh, let me help you with that.

LITB is a Chinese-based web site that sells all manner of objects including thousands upon thousands of pieces of clothing. Think of it as Asian Amazon on steroids with scads of merchandise pieces of often questionable quality. Headquartered in Beijing, it was formed in 2007 and now has web sites in 26 languages and delivers to over 200 countries. So it’s a major player in online retailing.

A screen capture from today on Light in the Box

When we asked our 30-year-old son if he’d ever heard of it (he hadn’t) he spent a bit of (quality?) time on the site after which he said, “I felt as if I’d fallen down a rabbit hole…” That about covers it. If you’re bored and want to lose a bit of time, scroll on over and see how long it takes for you to be swallowed up! Anyway, if you do that, you’ll see why I noticed a few pieces that looked interesting.

Here are a few that I found interesting this year…

Anyway, last year, I actually ordered a piece. Since the site is Chinese, the sizing is a bit different from what I’m familiar with and, in fact, the sizing varies from one piece to another depending on the manufacturer. You really do have to look at the size chart for every piece. But what rarely varies, is the fact that most of the pieces – especially the ones that are so very cheap, which is most of them – are made from polyester. Now, I respect polyester as much as the next person for the characteristics that make it useful – doesn’t wrinkle, endlessly versatile, can have a nice drapey hand, cheap (I did mention cheap, didn’t I?), blah blah blah. And when it’s mixed with other fibres, it can add some value. However, one of the characteristics it decidedly is not is breathable. And this kind of breathability in my wardrobe is essential in summer clothing. So, when I received the top I’d fallen for, I was not at all surprised by its quality. I was surprised that I could have ordered a smaller size. And I especially loved its clever design. So, I decided I’d make a pattern from it and recreate it in a higher-quality fabric.

First up: what technique would I use to copy the pattern?

Last year when I first copied a favourite ready-to-wear piece, the tank top was past its best-by date so I was able to cut it apart and use the fabric as the basis for the pattern.

This time, despite the fabric, I still liked it and wasn’t prepared to cut it apart. Enter the pin approach.

I saw someone do this on a video somewhere along the line but had never tried it. Now was my chance. I took out my old straight-pins that I rarely ever use these days preferring longer pins with ball heads, some banner paper I use for pattern-making and got started.

I laid the top out flat on the paper and began the somewhat laborious task of putting pins in all around the edge of what would constitute the bodice front. These pins went through the edge of the fabric, through the paper, and into the cardboard cutting mat below. You need to have something for the pins to stick into to stay upright. Once I had that piece “pinned”, I took the pins out and was left with the pinholes that formed the basis of the pattern pieces’ edges (without seam allowances of course).

Then it was a matter of connecting the dots and moving on to the next piece.

Fortunately, I selected a design that has only four pattern pieces. This is what I’d recommend you start with if you descried to do this.

Once I had the pattern pieces, I slapped on a grainline and any markings I thought I’d need on them, trued up the seams and was ready to find some fabric. I decided on a linen-blend jersey that I’ll show you in part 2. Stay well!

Posted in Little Black Dress, sewing, Style

Always closet space for a new ‘Little Black Dress’

Anyone who knows me knows that there is nothing I like better than an LBD. Simple and unfussy, the LBD is one of the most versatile pieces of clothing a woman can own. There are so many places to wear one: dinner out, cocktails at a favourite watering hole, under a jacket when giving a lecture, a funeral and just lately it seems it’s acceptable to wear black to a wedding. Well, that’s where I wear them. What’s not to like?

A year or two ago I embarked on my LBD Project which resulted in me testing three different styles – two commercial patterns and one of my own designs. In the end, I made the one I designed myself but along the way, I fitted two others. When I had the opportunity to write a blog post for Fabricville’s blog I thought it would be fun. [For non-Canadian readers: Fabricville is the one ‘big-box’ fabric chain in Canada. The stores are sometimes called Fabricland depending on where you live across the country but their online service is fabricville.com.]

I didn’t realize when they asked me to do it that I’d be getting my fabric choices for free. This has never happened to me before. So, there it is.

To tell you the truth, I might have made different choices for this one, but I had to choose fabrics that were available online from Fabricville.com so I was limited. What I really wanted was a silk dress but they didn’t have much of that on offer.

In the end, I came up with a dress that will probably come in handy although, to tell you the truth, at this  point in 2020, and the way things are going, I don’t see where I’m going to wear it unless there’s an unexpected funeral in my future. Anyway, here’s what I wrote for them…just click on the image…

Posted in sewing

My holy grail of sewing journals: Could this be the one?

A couple of years ago, I wrote about my obsession with finding the perfect sewing journal. You know the kind: a place where you can write about sewing plans, sketch designs, keep fabric swatches, muse about how well (or not so well) a project progressed. And, if you’ve been reading this blog for a while, you know that in my non-sewing/designing life, I’m a writer. In the early part of my career, I was a health and medical writer and then moved onto corporate communication so most of my early magazine articles and books fall into those categories. Lately, however, I’ve been writing women’s fiction but that’s a story for another day. What this means is that journals are very important to me.

I keep a journal for every long-form writing project. In fact, I’ve just bought a new one as I begin a new project. But what does all this have to do with sewing and sewing journals?

Here’s the new one with a sketch from Alfred Sung. It just happens to evoke some of what this book will be all about!

I’m a big fan of Moleskine notebooks – the kind the likes of Ernest Hemingway used to keep notes on new novels but they aren’t really amenable to the kinds of things I need to keep in my sewing notebook. And I’ve tried lots:

Well, after the last time I posted about my search for the holy grail of sewing journals, someone suggested I create one. It’s taken several years, but I’ve finally done it. I’ve created a journal that might be able to take the place of several journals that I use regularly.

I decided that I would make it available for others if they want to try it out. But before you consider trying it (and telling me what you think) here’s me telling you about it…

The coil-bound version is the better of the two in my view but it’s more expensive especially for those of us in Canada since I wasn’t able to have it distributed on Amazon with that binding. It’s only available from Lulu.com. (They do list it in Canadian dollars which is a bit daunting and they do ship to Canada and other countries.) So, I made a less expensive one available with a non-coil binding available on Amazon worldwide. On the upside, it’s cheaper; on the downside, it doesn’t stay open quite as well as the coil-bound one.

Anyway, if anyone out there decides to try it out, I’d eventually like to get your feedback. What other kinds of things would make it perfect for you?

Posted in fabrics, sewing, sewing patterns

When choosing the right fabric makes all the difference

I wonder if you’re ever like me. Do you ever find a piece of fabric that you really, truly love but after you buy it, you can’t seem to find the perfect project for it? Or maybe you have leftover material (from that sale where you buy one metre and get two metres free. Who needs three metres as a general rule?). These are dangerous situations for me to find myself in. The reason is that I then look for a pattern or design that I could use just because I like the fabric. However, not all fabrics work well for all projects.

There was a time in my life when I always started with the pattern and/or design idea then sought out fabric that would work afterwards. Although I realize that fabrics can be the inspiration – the starting point – that doesn’t always work out for me – which is, of course, one of the reasons that I refuse to have a *shudder* stash of fabrics. In fact, I’m beginning to think that I ought to go back to my original approach – design first, fabric later.

Case in point.

I thought it would work really well. The pattern suggested that the T-shirt needed to be made with a moderately stretchy fabric – you know the ones. They have that little ruler on the back of the pattern that says you have to be able to stretch a double crosswise fold of the material from here to there.

Vogue 8536 – published in 2004. Not sure why I still own it!

All I can say is, ignore this direction at your peril! In my defence, I thought it was close enough. And, by the way, while we’re on the subject, if it stretches much further than the “suggestion” put it down and find another pattern. Anyway, I’d made the pattern before from fabric with only a hint more stretch and it worked better at that time.

I didn’t topstitch it the first time. Shouldn’t have done it this time. (PS This top is jet black. Too much light in the photo!)

So, why did I even try? This was leftover fabric from a recent dress project that I did for Fabricville’s blog. I have not, however, been able to access that blog yet to post it so I haven’t been able to write about it here. I will in due course.

The dress in question.

Anyway, I had a whole lot of leftover fabric and since it’s a very stable knit I’d already worked with, I thought I was safe. To say the project is hideous would be an understatement. Just look at how awful the topstitching is around the neck.

It has nothing to do with tension and everything to do with the weave of the fabric. Since I had yet more left over, I tried again.

This time I used a pattern dated 2012 that I found in a discard bin when we were on a road trip last year.

Vogue 9004. This is the one I decided to make since I didn’t have enough fabric for the one with sleeves.

It’s actually designed for woven fabric, not stretch, but before you begin to think I’m truly daft and never learn from experience, I did mention I’d worked with it before and to tell you the truth, it’s so stable that it might as well be a woven.

I liked the way the design lines permit so much tweaking. And did it ever need tweaking although I cut the same size as I usually do.

After much fine-tuning, I have a summer top that, because the fabric content includes some natural fibre (why is that so hard to get sometimes?), I have a new summer top.

Although I could certainly get along this year without any new summer clothes, isn’t it nice to have something new to wear for a new season? With all this COVID-related isolation, I haven’t been able to enjoy a shopping experience thus it’s back to shopping my closet as they say– with a few pieces from my own sewing machine added in for good measure.  

Posted in Fashion Blogs, sewing, Style, Stylish Books

Four Years on a Fashion/Sewing Blog: What’s changed over time

I just realized that I totally missed my four-year anniversary of starting this blog. It was last week—April 16 to be exact. I started this online journal with the idea that I could document the journey through my interests that I now had time to pursue. When I look back on that first post, I realize that despite the fact that I had planned on a variety of topic areas, I seem to have veered in one direction.

I had thought that anyone who stumbled over this online space might be a bit like me:

  1. Be woman of a ‘certain’ age (it can be whatever you want it to be),
  2. With an interest in fashion but mostly in style,
  3. And interests in other things other than fashion & style – things like travel, wine & reading,
  4. And above all, past caring what everyone else thinks.

That hasn’t changed – or at least I haven’t changed but I now realize that I welcome both men and women of all ages who share an interest in the things I’m interested in, or just find me entertaining (I love that!). This makes the experience of writing for you all that richer.

I also realize that although I planned to write more widely on subjects such as “fashion journalism, what I’m learning about style throughout my life, fashion and style-related books I love, my pet peeves about fashion, how travel is a style statement…” I also said that I’d write about my Coco Chanel obsession and my journey to recreate her Little French Jacket introduced in 1954. I’ve done that and so much more.

My first LFJ – you can’t see the silk charmeuse lining or all the hand-stitching but, trust me, it’s there!

First, I want to talk about Little French Jackets. When I started sharing my interests with you, I had no idea that there were so many others who had already gone on this journey to create their own homage to Coco. I found their work inspiring and instructional. I’ve since created three of these jackets (I had planned on one but they are addictive) and I realize that my posts just might be inspirational or instructional to others. These projects led me to several other long-term ones like my little black dress project and my cruise collection project…

This means that this looks like a sewing blog. I enjoy sharing my sewing, but I also enjoy sharing my research that I always do before and during a project. For example, who isn’t interested in how the little black dress evolved over the years, or the history of mannequins. You’ve probably also noticed that I tend to tell you my story rather than giving instructions. I’m a story-teller (in my other life I write books) not a sewing teacher.

The original Chanel LBD.

I have also written about fashion journalism (and my peeves about it) as well as about what I call stylish books – and I plan to do more of that in the future. There are so many good ones.

But these days I tend to focus on my design and sewing projects. I wanted to learn fashion design and have made my way through a variety of online classes to learn flat pattern making. This led me to create my own bodice sloper and a number of my own patterns. I also dipped my foot into computer assisted design but I have to admit I find Garment Designer, the program I chose to begin with, to be a bit limiting. Maybe next year I’ll ask for Wild Ginger for Christmas!

My original sketch

I have a few more projects up my sleeve. I’m learning tailoring as we speak and if this pandemic ever gets over and my favourite Toronto fabric stores ever open up again, I’ll get right on it. I also want to deconstruct my husband’s old tuxedo – I made him keep it when he bought a replacement a year or two ago – and then reconstruct it to fit me.

I’ve also been working on a sewing notebook/journal thing that I’ll share in a month or two.

I’m working on a notebook that will be able to replace this and several others I keep.

In the meantime, my main focus right now is using up leftover fabric. It’s quite gratifying to be able to use it up since I do not have a “stash” *shudder* of fabric but I do tend to buy more than I need for any given project and have substantial pieces leftover. I sometimes lay out a few pieces and use this as a way to inspire interesting designs.

Now back to current projects!

Looking forward to being able to travel again and to sharing my travel wardrobe plans with you…I might not get back to the Great Wall of China but I’m sure there will be more terrific adventures!

Posted in sewing, sewing patterns, Style

COVID Couture: Designs for Lockdown Life

At this very moment, I should be writing about a project I’ve been looking forward to for some time. I should be sharing with you the colour palette and design inspiration for my Fall 2020 European Travel Capsule – a plan I have for a tightly edited group of travel-worthy clothing (including both ready-to-wear and my own design-sew plans) for an upcoming adventure to Scandinavia and Northern Europe. Sadly, however, the moment we arrived home from our winter getaway, we saw the handwriting on the wall and cancelled the fall holiday. I’m not going to be needing that capsule this year. Maybe next year. So, where did that leave my project plans?

[Yes, that’s Ines de la Fressange, my inspiration for the European capsule!]

Well, I could begin my tailoring adventure. There are two problems with the timing of this project: first, I don’t want to buy the fabric for my new blazer without actually seeing and feeling it so that’s out of the question at the moment (truthfully though, I might relent here at some point in the next two months if things don’t change); second, I have absolutely no place to wear a bespoke blazer at this time.

Taking into consideration the events that fill my days at present and the places I’m going (or to be more accurate places I’m not going) I need to rethink the whole design and sew aspect of my life. That’s where COVID Couture comes in. Let me start by reminding myself of what, exactly the term couture means.

Although the term might conjure images of models sauntering down runways in the latest Dior, Chanel and Dolce and Gabbana, it really is simpler than that. The term couture should not be confused with haute couture, the word that you would, in fact, use to describe the aforementioned Dior etc. Couture is a French word that translates into English as “sewing” in its most literal sense. Haute couture translates literally as “high sewing” and that’s what they do in those fashion houses (although the term haute couture can be legally applied to only a handful of houses that have achieved that designation).

The online dictionary defines the word couture as “…the design and manufacture of fashionable clothes to a client’s specific requirements and measurements…fashionable made-to-measure clothes…” Okay, that’s what I do. I design and create made-to-measure clothes for myself. And the fact that we are in the middle of a COVID pandemic and require different kinds of clothes at this point in our lives, any clothes I make for use in the short term are, by definition, COVID couture. So, here’s how I’m going to define COVID Couture:

…the design and creation of fashionable, made-to-measure clothing that makes the wearer feel comfortable, relaxed and calm while still being presentable enough for a Zoom meeting…

Enter the perfect fabric. It so happened that I had bought two lengths of complementary striped bamboo knit with a brushed back. What could be more comfortable and relaxing than the softest bamboo fabric you could imagine? I wish you could reach out and feel this fabric. Then all I needed were two or three patterns to choose from.

I first created a tunic with a wide cowl neckline from Kwik Sew 4189. I liked the cowl neckline and the tunic length.


The fabric is quite fine and very stretchy so I had to first, cut it out in a single layer, and second, be very careful about not stretching it even more as I sewed. I ended up stabilizing the side seams with Knit-n-Stable™ tape which was a great decision. Putting it in the hemline might not have been such a good idea as you can see from the photos – it remains a bit wavy. In my defence, the stretchy fabric with a bias hemline is a recipe for waves under any circumstances!

I used the two different stripes for what I think is an interesting effect. The piece is beyond comfortable to wear, but now that the spring has arrived, the cowl neckline doesn’t seem right to me.

So, I looked to another pattern for a piece I can wear under a little jacket on cool spring days and at home.

I had picked up McCalls 7975 a few months ago because I liked the front twist and the sleeve variations. I thought it had possibilities. Again, I had to cut it out in a single layer which wasn’t really a stretch (sorry about the pun) in this pattern since the whole front is one piece anyway.

Leftover fabric!

Because I was using leftover material, I knew I wouldn’t have enough of either stripe to do the whole thing but not to worry: I simply put the variation on the back. I do like how it turned out.

This time, I stabilized only the shoulder seams. And rather than serge the hem before turning it, I turned it twice and this seemed to give the hem more stability. Overall, the fit is generous – I had to take in the side seams twice and probably could have done more. That being said, this is another wonderfully comfortable piece that I will certainly wear on Zoom for my next board meeting.

I also took another piece of bamboo knit – this time French terry – and made myself a new bathrobe. I think this qualifies as COVID Couture as well!

Okay, time to get serious – I only need so many comfy tops and robes (what I really need is a silk robe). I’ll have to start thinking about re-entry into a more normal life. Or at least something I can wear to the grocery store on a summery day! Stay safe out there!