I just knew it. When I finished my first homage to Chanel’s “little French jacket” (little black jacket) I felt that it would never be behind me. I knew that it was only the first of several (many?) that I would be inspired to make. The reason is that it is endlessly versatile, unbelievably comfortable, and exceptionally useful. Yes, I’m on to LFJ #2. And I’m inspired to make it slightly different than LBJ #1.
So, where am I finding inspiration to create the same but different jacket?
Here’s what my internal eye is seeing:
Fabric texture: This time around, I wanted a boucle in the truest sense of the word. Chanel made her originals in boucle tweeds. My first jacket was in a bouclé tweed that was a bit less bouclé (“… yarn with a looped or curled ply, or fabric woven from this yarn…”) and a bit more tweed. It had that loose weaving that hinted at authenticity, but it was missing serious bouclés.
Fabric content: My first jacket was a wool blended with a number of other fibres, which is typical of a Chanel jacket. I see other fibres in future – mainly cotton or linen bouclés for summer jackets. I still want a winter-ish jacket, though, so will be happy enough with another wool blend.
Lines of Chanel jackets since 1954: I’m inspired by the myriad ways that the real Chanel jackets have reimagined Coco’s original 1954 design. Every season Chanel has models strutting down the catwalk wearing versions of the jacket or other types of garments where the jacket’s influence is subtle but no less present. So I look to these variations for the inspiration to know that there are many ways to make the same piece so very different. The truth is, though, that I really don’t want this piece to be that different from the original vision; nor do I really want it to be so different from the first one. What I want it to be is to incorporate all the lessons I learned from doing it the first time and maybe going a step beyond.
Colour combinations: I’m a neutral-loving kind of dresser. I’m especially interested in garments that are expensive – either in monetary terms or in this case in terms of time – to work with a lot of other clothes in my wardrobe. I’d still like to see this n a neutral colour, but I don’t want a black jacket. I’m seeing the Chanel jackets in light colours with dark trim. That’s the look I’ll go for.
Trims: Oh, this is a good one. There is nothing better than going out to search for beautiful trims and being richly rewarded not only in finding just the perfect one that catches my imagination, but by finding a new store that sells all manner of wonderful trims. In the case of Mokuba which I discovered in the garment district in Toronto, this is really a hat-making store, but their trims are to die for – and they have so many it boggles the mind.
Scale that works for me: I like a short jacket to wear over all manner of slim pants and pencil skirts. The original jacket I made for LFJ (LBJ) #1 will work just fine again and has the added benefit of already having a pattern made for me (by me) from a fitting toile (muslin). But this time, I like the idea of full-length, rather than bracelet-length sleeves. After all, it supposed to be a winter garment.
I was wondering throughout all this where Fashion designers look for inspiration. It seems almost everywhere (Yes, we all know they now use ‘street’ fashion as inspiration, but I’m never really sure how this works. Usually that cool, creative street style is inspired by designers, or fashion magazines or peers – so it seems like a circular process somehow.)
Anyway, it seems that some designers believe that “…vintage shops hold the key to design for many bona fide a fashion designer. “a print, a cut, an embroidered pattern…” http://www.independent.co.uk/life-style/fashion/features/fashions-undercover-experts-searching-for-inspiration-designers-send-spies-to-scour-vintage-a6732531.html
Other look to architecture. I love some of the photos in this web site. http://www.architecturaldigest.com/gallery/fashion-designers-architecture-inspiration
Others are inspired by travel – especially the cultural differences between us. http://www.travelandleisure.com/articles/travel-inspired-designers
So, I visited my favourite fabric store Affordable Fabrics and found that, true to their word earlier in the summer, they had a new selection of tweeds and bouclés in time for winter creations. I also like a print for a lining, but they didn’t have any printed silk charmeuse that day so I opted for a silky satin. I hope I’m not going to regret that it isn’t 100% silk, but it does look divine with the fabric.
I put these together with my trim choices, and I’m off to the races. See you when I get it going.
6 thoughts on “Finding Inspiration: My second “little French jacket” project begins”
Oh, that will be another wonderful jacket. I like the idea of doing the second jacket similar to reinforce what you have learned and to add something to extend the learning. Now, if I can just get started on my real fabric! I just need to feel confident in my muslin alterations and I’ll start …..soon! You are an inspiration. And I’ll be sure to check out the trim store when we are in Toronto for Christmas. All the best!
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I suppose you’re going to use some of that wonderful Linton Tweed for your LFJ. so jealous! Come for a glass of wine when you’re in Toronto! I’ll email.
GG, was that you boasting still one more time about your PERFECT toile? I’m wondering whether you believe you could have adapted the sleeve yourself or would you recommend buying Susan Khalje’s pattern. I am an advanced sewer. Want you to know although I’m not ready to make my LBJ (time wise), that you have been quite an inspiration for me. I’m so excited and have at least bought the Vogue pattern. Thank you.
LOL! Hardly boasting! Just afraid if I do a different one it won’t fit as well…but that will come. Susan Khalje’s pattern is for a 3-piece sleeve with a vent . It’s on my to-do list, but it has to have buttonholes. A true homage to a Chanel jacket will have hand-bound, working buttonholes. Her jackets never did nor ever do have false ones. So, I have to be prepared to learn to do and practice those buttonholes before I do that three-piece sleeve! But, yes, now that I’m working through Suzy Furrer’s pattern making for design classes, I think I will be able to draft my own in future. So happy that you’re inspired. Come along with me and we’ll do it together!
I wished I had a talent for designing and making my own clothing!
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Oh I think that talent can be cultivated! Come along with me as I learn to design my own wardrobe. I’m sure you’ll be able to do it too! Thanks for stopping by the blog.